Dc marvel crossover movies12/25/2023 It may seem silly to get hung up on something like ego when movie franchises are on the line, but even the slightest mistake can mean lost millions for movie studios. Obviously it would be huge news, and you would think that the increased sales would make up for that, but then, who's throwing in what talent to the pool, all that kind of stuff." I think the big questions is: both companies make a lot of money off their own titles, so what's in it for them to share that revenue? That's a big part of it. "I think it's a lot of work, it requires a lot of people working in good faith. While that may be easier when all characters are owned by the same company, Jim Lee offered his opinion on the less obvious challenges, and reminding fans that the main reason companies choose not to combine success is the same for comics as it is in film - they simply don't have to: Still, the upside seems obvious to any optimistic fan: Marvel and DC both enjoy increased attention and sales with universe-wide 'events,' even bringing iconic super-teams to blows. An Avengers /Guardians of the Galaxy crossover is already in the works, but even when a producer of Fox's X-Men universe expresses a clear desire to merge the series with Marvel's, it's immediately deemed a long shot (Marvel Studios boss Kevin Feige has said it won't be happening any time soon). It isn't hard to grasp why corporations would put the brakes on even their own creators' enthusiasm for cross-company collaboration, as it happens just as often in today's film industry. Both legendary creators have seen the restriction and benefits of the comic book world close up: Lee may be cemented as a DC executive today, but made his start with Marvel before launching his own label and "WildC.A.T.s" series, among others. Is it the same case for the comics? When we sat down with writer/artist/creator/DC co-publisher Jim Lee and Marvel artist/writer Brian Michael Bendis at a townhall meeting at SDCC 2014, the question of crossovers was inevitably raised. And there are already signs that creative freedom won't be a top priority for big screen superhero films as shared universes become more and more rigid. That being said, the world of comic book talent is nowhere near as divided as film artists and writers move from DC to Marvel to creator-owned properties in pursuit of steady work or more creative freedom. Those times have changed, with Marvel boss Joe Quesada (who helped save the publisher) claiming that the superhero or comic book genres of film aren't going anywhere. In other words: the two rival publishers both had something to gain by meeting fan demand, and were both sorely in need of a boost. Not only did it seem that the medium's best days were behind it (arguably, that's still the case), but Marvel Comics was just a few years away from bankruptcy. But we would point out that in 1996, the world of comic books was a very different one. The comic event - or the later "JLA/Avengers" event of 2003 - may seem like evidence that a movie crossover could happen, with a potential story in place to follow as well. When all was said and done, the two were merged into a single Amalgam universe, meaning that although the event produced some memorable stories and artwork, neither ended up on top. Long-debated fights between fans were put into action: Aquaman vs. Marvel" event, essentially pitting the two universes together with only the victor surviving. The most often cited crossover tends to be the 1996 "DC vs.
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